Monday, July 30, 2012

On Tamil Militarism


Part 4: Militarism and Caste in Jaffna

by D.P. Sivaram
[courtesy: Lanka Guardian, July 1, 1992, pp.9-10 and 14; prepared by Sachi Sri Kantha, for the electronic record]
Tamil secessionism and Tamil militarism are two sides of the same coin. Both are legacies of the attempt by the British to demilitarize Tamil society in the 19th century. Tamil militarism arose from the grievances of the disfranchised Tamil military castes. Tamil secession was the result of the political ambitions of the classes which were promoted by the British to consolidate the gains of demartialization. Therefore it is necessary to understand the colonial strategies which were aimed at depriving the traditional power and status of the Tamil martial castes in Tamil society.
In those regions of India where military service was confined to specific castes, other castes had no desire to abandon their traditional occupations for soldiering or for violence. Since the ability for violence was caste bound, disfranchising or removing a region’s military caste could negate its potential for violence and rebellion. The earliest attempt to thus demilitarize Tamil society was made by the Portuguese in Jaffna. A brief examination of their effort and its impact on the subsequent evolution of society in Jaffna will help understand better the social and political consequences of demilitarization in Tamilnadu two centuries later under British rule.
The Maravar were the traditional soldier caste of Jaffna when the Portuguese arrived. Once they took control, they set about dismantling the feudal military system of the peninsula. Military titles such as RayerAthirayer were banned. The traditional soldier castes were seen as a threat to Portuguese control. In 1627 Lancarote de Seixas, Captain Major of Jaffna, put forward the idea that the peninsula’s security lay in having none there, but cultivators. Thus began the rise of the Vellalas in Jaffna. The Portuguese seem to have also favoured another caste called the Madapalli. The Vellalas were not only cultivators, but a section of them which had developed scribal skills, provided the local officials, interpreters and karnams(accountants). Successive colonial powers found Vellala scribal groups useful where Brahmins were not forthcoming. Histories of Jaffna were written and presented to the Portuguese, which showed the Vellala and the Madapalli as the original and dominant community of the peninsula.
The Kailaya Malai and the Vaiya Padal, the earliest works on the colonization of Jaffna, appear to be such histories. They name the chieftains of Tamilnadu who had brought Tamil colonists to the peninsula with them. All of them are described as Vellalas. But eleven of them have Kallar and Maravar caste titles. The Jaffna Maravar were able to resume their caste occupation under the Dutch, who met troop shortages through Jaffna’s feudal military system which the Portuguese had attempted to dismantle. The Dutch governor and director of Ceylon, Thomas van Rhee informed his successor Gerrit de Heere in 1697, that in the Jaffna peninsula "the Marruas are bound to serve the Company as Lascoryns (native soldiers) and pay t[w]o Fanams a year without anything more". But 93 years later, a Dutch census (1790) of all males between the ages 16-70 in Jaffna recorded that there were only 49 Maravar males in the peninsula, as against 1,570 Vellala males. This was due to a widespread process in Tamil society where military castes, finding their traditional status gone, simply adopted the Vellala caste title and returned themselves as peaceful Vellala cultivator, to the colonial census; and in time became endogamous subdivisions of that caste.
In 1834, Simon Casie Chitty recorded in his Ceylon Gazetteer, that Kallar, Maravar, Ahampadiyar and Palli (Vanniyar) were sub-divisions of the Vellala caste. It is clear that the Tamil martial castes of Jaffna had swelled the ranks of the Vellalas when faced with unfavourable conditions under colonial rule, as they later did under the British in Tamilnadu. This gave rise to the saying in the peninsula, "Kallar, Maravar and Ahampadiyar came slowly, slowly and became Vellalas." But, unlike their counterparts in Tamilnad, the Jaffna Vellalas didn’t generally change their military caste titles. "In former days the Vellalas had the titles of Rayan, Thevan, Kizhan and Mazhavan."
Today, one of these military caste subdivisions of the Jaffna Vellala community, bearing the Kallar caste titleMazhavarayar is a dominant land owning clan in the peninsula. The Mazhavarayar clan is also connected with the history of Thambiluvil in the Eastern province. The Mattakkalappu Manmiyam, a work which deals with the colonization of Batticaloa, mentions the mazhavar frequently among the groups which peopled the Eastern province. Although the ‘vellalization’ of Jaffna’s Tamil military castes predates the same process in south India, Vellala cultural hegemony was achieved in the peninsula only during the early decades of the twentieth century. The persistence of endogamous subdivision identities was one reason for this.
The Vellalization of culture and religion in the peninsula began with Arumuga Navalar’s attempt to convert the Jaffnese from their folk religion which was dominated by the heroes and godlings of the Tamil martial castes. The martial caste elements also figures in narratives related to the founding of Valvettithurai and Myliddy – Karaiyar caste villages on the Jaffna coast, which are key. Whereas the Sri Lankan karava (Karaiyar) caste in general has claimed kshatriya status – that they are descended from the Kuru dynasty – a strong narrative is found among the Karaiyar of Myliddy which states that three Marava chieftains who were brothers came with their caste-men from Tamilnadu, married among the karaiyar and founded the village. Its dominant clan, known as Thuraiyar – the others are known as Panivar – was connected by marriage to Ramnad, the home country of the Maravar, until recent times.
The martial arts of Maravar were popular among the Thuraiyar of Myliddy, before their youth were introduced to modern methods of military training in the last decade [i.e., 1980s]. A narrative related to the founding of Valvettithurai, based on folk etymology states that the village arose on land given to a Marava chieftain, called Valliathevan, by the eponymous founder of the Tamil kingdom of Jaffna. But a strong tradition was prevalent among the Karaiyar of Valvettithurai that they had fought the Portuguese as the soldiers of the last king of Jaffna, Sankili. This tradition, as we shall see later, was greatly exploited by TULF propagandists to mobilise people in that part of Jaffna. The tradition seems to be related to the trade wars between the early colonial powers and the Maravar kings of Ramnad.
The Portuguese, Dutch and the British tried to wrest control of the profitable rice and chank trade between Burma, Bengal and Ceylon which was in the hands of the Thevars (title of the Ramnad kings) and their Muslim and Tamil tradesmen, on either side of the Palk Strait, among whom were many Karaiyar schooner proprietors of Valvettithurai, Point Pedro and Thondamanaru. The British found that one Vaithianathan of Jaffna was among the few confidantes of the Thevar, who were looking after his chank trade in Calcutta. Karaiyar families carried on with the rice and chank trade in collaboration with Muslims, Chetties and military caste families on the south Indian coast from Ramnad to Tanjore, even after the British finally wrested control of it from the Maravar kings of Ramnad.
A large number of Thandayals (traditional navigators – captains of ocean going craft) from Valvettithurai, Point Pedro were employed in the Thevar’s domain of sea trade. This became the basis of a vast ‘smuggling network’ between south India, Sri Lanka and southeast Asia, after independence in1948. The powerful Vandayar family (Maravar) of Tanjore maintained very close relations with a leading business house of Valvettithurai until 1983. Sometimes such connections between the coastal military castes of south Tamilnadu and the Karaiyar of Jaffna were cemented through marriage. Although Jaffna Tamil society was the earliest to have been de-martialized, and was the only part of the south Indian Tamil region where traditional Tamil military castes were completely subsumed by Vellala identity, it has become the ground in which the most fierce manifestation of Tamil militarism has taken root in modern times. How was this possible? Three reasons can be identified.
(A) The pro-colonial politics of the Jaffna Vellala was not formulated as an attitude against traditional militarisms because the Tamil military castes having assumed the Vellala identity early, were not present as a social threat in the peninsula to the consolidation of colonial authority, after the Portuguese period. Furthermore, the nature of the Vellala caste composition in Jaffna was in itself not amenable to the scribal-agrarian conservatism of the pure Vellala elites, which the British found useful in Tamilnadu. The pseudo-Vellala component of Jaffna was large. A fundamental distinction between the Vellala elite of Tamilnad and Jaffna would illustrate the point.
Arumuga Navalar campaigned against the activities of Christian missionaries and his efforts received support from Ponnuchami Thevar, the chief Marava noble of Ramnad. In former days, the Maravar had opposed the spread of Christianity, by massacaring missionaries. On the other hand, in Tamilnad, an ideologue of Vellala elitism – J.M.Nallasami Pillai, who like Navalar worked for the propagation of saiva siddhanthism among the Tamils, was closely associated with and supported by Anglican missionaries in his efforts.
As we shall see later, while Nallasami Pillai carefully and deliberately played down the martial component of Tamil culture and history, attempting to establish that Tamil civilization was constituted by the peace-loving Vellalas, his counterpart in Jaffna, Mootootambi Pillai lamented the decline of the peninsula’s martial heritage. He wrote in 1912,
"When Sankili – the last king of Jaffna – fought the Portuguese, most of his soldiers were warriors of Jaffna. Even the Portuguese have praised their valour. The victory of the Portuguese was not gained through their bravery, but through Kaakai Vanniyan’s treachery. Wasn’t it the warrior of Jaffna who conquered the whole of Ceylon? The people (of Jaffna) who are descended of those warriors have lost their martial traits and become a despicable race, having been subjugated long under the Portuguese and the Dutch and as a result having become weak and losing their self-identity."
Mootootambi Pillai was reflecting a sentiment that had been expressed in the Madurai Tamil Sangam – established by the Marava noble, Pandithurai Thevar (the son of the noble who had earlier helped Navalar) that the decline of the Tamil nation was caused by the deterioration of its ancient and unique martial heritage.
(B) The closure of the avenues by which Vellala upward mobility and conservatism under successive Sinhala governments in Sri Lanka. The colonial powers opened these avenues to promote the class and culture of Vellala conservatism as a bulwark and gurantee against the turbulence of Tamil feudal militarism. The restrictions placed on university admissions and on government jobs seriously undermined the class and culture of Vellala conservatism and its politics of non-violence and compromise. The other narrative that was contending at this juncture, for Tamilian identity – Tamil militarism – began to assert itself as the bulwark built by colonial powers against it crumbled.
(C) Non-Vellala pockets in the peninsula where the values of Vellala conservatism had made little impact.

Bala's film before Diwali!!

The ace director Bala is busy in his upcoming project ‘Paradesi’. It stars Atharva, Vedhika and Dhansika in the lead roles.

The film has started at very early itself and the director planned to complete the film before October and release it before Diwali itself.

As there are many films in line like Thuppakki and Vaalu to release for Diwali, they planned to release before to avoid the BO clashes.

So he informed the team members to finish the post production works before October itself. The film is adopted from the novel ‘Eriyum Thanal’ and the title ‘Paradesi’ is not confirmed yet.

The title will be announced to the media soon!!

Vikram Prabhu’s Kumki audio getting good response



Vikram Prabhu’s Kumki audio getting good response
Kumki is the upcoming movie that marks the debut of Vikram Prabhu into Tamil films. The audio album of Kumki was composed by D. Imman, which is receiving good reviews from listeners.
The audio of Kumki was launched yesterday, on July 26 in the hands of Kamal Haasan, Rajinikanth, Suriya and Karthi in the presence of Kollywood biggies, at a grand event organized in Sathyam Cinemas in the city. Kumki has six songs composed by D. Imman of which Ayayayoo Aananthaamey and Onnum Puriyala are topping the chartbusters and every song is being enjoyed by the music lovers.
Prabhu Solomon of Mynaa fame has directed this rural milieu kumki in the production of director, producer Lingusamy along with his brother Subash Chandrabose on Thirupathi Brothers banner. Kumki casts Lakshmi Menon as lady love to Vikram Prabhu, son of veteran actor Prabhu and grandson of late Sivaji Ganesan.

SONGS OF AYYA - CONTINUATION

Friday, July 27, 2012

Article for 14th Malaysian Mukkulathor Conference - Sharmalan Thevar



Seeman to get married on Prabhakaran’s wedding day


Seeman Prabhakaran
Seeman’s affinity towards Lankan Tamils is not new to his followers and fans. The director-actor is learning the trick of balancing his filmy and political careers in such a way that both the careers proceed on the right tract and don’t get distracted by his over-indulgence in one particular sphere.
Seeman is also the chief convener of the Naam Thamizhar Katchi, a political outfit which he floated some time back. In the past, Seeman had been in and out of prison many times (under the erstwhile regime) for his many remarks and statements in support of Lankan Tamils and criticizing the Union government’s stance on the Lankan issue.

He has now announced that he would be getting married on 1st October this year on the day of the wedding anniversary of the slain LTTE leader Velupillai Prabhakaran. The LTTE chief was among the many thousands of Tamils who were decimated by the Lankan army in its all-out offensive against the Tamils to bring to an end the military struggle of LTTE and various splinter groups.
Seeman has directed films such as Panchalankurichi, Thambi and Vaazhthugal and has also played significant roles in some films including Evano Oruvan which had Madhavan essaying the lead role. Talking about his marriage, Seeman said, “I have decided to get married on 1st October this year which is the anniversary of the wedding day of the late Prabhakaran.
“As on today, I haven’t yet decided as to whom I’d get married with…however, I’m hopeful of completing the search for the ‘perfect bride’ with a couple of months. Soon, I’d be making a formal statement in this regard,” he concluded.

Tamil film 'Machaan' all set to tickle funny bones


Shakthi Chidambaram, who is directing his next film Machaan after a year’s break, is nearly done with the talkie portions. The director, who is known for the humour quotient in his movies like Magha Nadigan and Englishkaran, seems to have added the right dose of it in Machaan as well. “It will be another movie with my trademark ingredients,” he says.
Actor Karunaas plays the lead role in the film, which also has Vivek in an important funny character. While the director is all praise for the latter for accepting to be part of the film, he says Karunaas is quick in grasping ideas. “I have worked with Sathyaraj sir before. After him, it is only Karunaas who okays all the shots in a single take,” he says.
Shakthi Chidambaram has appeared as Karunaas’ friend in a character called ‘Lollu’ Pandi in the film.
Shakthi Chidambaram, who is directing a film after a year's break, is nearly done with the shooting.
Tamil film 'Machaan' all set to tickle funny bones
“It’s a small role and I play a drunkard,” he says. Only eight days of shooting remain to complete the project. Shakthi is hopeful that Machaan will be a successful laugh riot along the likes of Oru Kal Oru Kannadi and Kalakalappu.

THEVAR AYYA SONGS

Dual role for Prabhu


Actor Prabhu's Malayalam film, Best Of Luck, is all set to be dubbed into Tamil and released as Chella Thambi. The film, directed by Nishad, also hasMammootty in a guest appearance.
A source says, "The film is set in a filmy background, and is about a man who needs finance to make a film with Mammootty. He lies to his stepbrother so that he could fund his project. Though it's a full-fledged comedy, the film is laced with family sentiments."
Prabhu plays the role of both father and son in this venture, which also has Urvashi, Archana Kavi and Rima Kallingal in important roles. EMS Raja has penned the Tamil dialogues.

Surprise from the Superstar


“I am indebted to you,” Rajinikanth tells fans at the audio launch of Kumki
The team of Kumki couldn’t have asked for a bigger surprise. The audio launch function of the film, held on Thursday at Sathyam Cinemas, was attended by a host of stars from the Tamil film industry, including Kamal Haasan and Suriya.
But what made the occasion even more special was the fact that Superstar Rajinikanth chose to attend the function at the last minute. Speaking on the occasion, Rajini said, “I don’t attend any function these days for two reasons. One, attending one function and saying no to another would be inappropriate. Two, doctors have advised me not to strain myself. So, when actor Prabhu, whose son makes his debut in Tamil cinema with Kumki, invited me to this event, I said, ‘Don’t take it amiss, I will not be able to make it.’ However, Prabhu came home yesterday and left an invitation for the event. When I called him to find out why he had invited me knowing well that I wouldn’t be able to make it, he replied it was his duty to invite me.”
A visibly moved Rajini continued, “I was touched. It is his love that has brought me here. I have recovered only because of the love of fans. I am indebted to you (fans) and do not know how to repay you for your love. This is why I shy away from you like a borrower avoids a moneylender.”
Amidst cheers, the actor continued, “The doctors didn’t allow even Kamal to meet me when I was hospitalised in Singapore. I was disturbed and called him up to talk to him. He was disappointed but understood my situation. Vikram Prabhu who makes his debut with this film has a bright future.”

Tuesday, July 24, 2012

All India Forward Bloc to stage 4-day-long protest


The All India Forward Bloc (AIFB) national secretary D Devraj has said that CPI, CPM and AIFB would stage protest in front of the Parliament for four days against the prices of essential commodities and alleged inefficiency of thegovernment in civil supplies. He has said that the forward bloc was gathering the public across the stage for an intense protest. Further, he said the leaders from his party would move all places and towns in the state and educate the people on the burning economic issues of the state.
Meanwhile, the state in charge of All India Forward Bloc G R Shiva Shankar said forward bloc would emerge as anotherpowerful alternative in the state(Andra pradesh) in near future. He has also said that a new committee of their party would be set up in December.
The UPA is reportedly going to have a tough time for the protests as team Anna is also getting ready for a protest against the government and on top of it AIFB is also gearing up for the protest in front of the parliament. The political observers are eagerly waiting to see as to what steps UPA is going to take for stopping the protests.

When Baba came to meet Sivaji

Here’s an interesting story on how the idol of Shirdi Sai Baba came to the late Sivaji Ganesan’s house a couple of days ago. This story has become the talk of the town. 

Mr Jagannatha Dasar of Anna Nagar, a devotee of Shirdi Sai Baba, had ordered a 3.5 feet idol from Ganesh of Ongole, which is a city in AP. When the marble idol was ready,  Mr Dasar was planning to bring it to Chennai and worship at his residence in Anna Nagar. 

However, in a strange twist to things, he had a dream in which he envisioned as if Baba wanted the idol to be taken to the late Sivaji Ganesan’s house and to be kept there for three days. An awestruck Dasar contacted Sivaji’s sons, Ram Kumar and Prabhu, and they readily agreed. Prabhu was elated as his wife Punitha is a Baba devotee and the idol was worshiped at their residence for three days with devotional fervor, replete with pujas and bhajans.

Prabhu’s son, Vikram Prabhu is making his film debut soon with Kumki. The audio launch will be held on July 26 and  the family considers this development as an auspicious symbol towards a great start for Sivaji’s grandson.

Captain Lakshmi Sahgal no more


Captain Lakshmi Sahgal, a prominent freedom fighter and a member of Netaji Subhash Chandra Bose's INA, passed away. She was 97.
She was suffering from various health complications related to old age and has been in a coma since last Wednesday. She suffered a stroke and breathed her last on Monday morning.
Born as Lakshmi Swaminathan in Madras, Madras Presidency, British India, she was a practising doctor having received her MBBS degree from Madras Medical College in 1938 and diploma in gynaecology and obstetrics thereafter.
In 1971, she joined the Communist Party of India (Marxist) and represented the party in the Rajya Sabha. Later in 2002, four Left parties - the Communist Party of India, the Communist Party of India (Marxist), the Revolutionary Socialist Party and the All India Forward Bloc nominated Sahgal as their candidate for the presidential polls. She, however lost APJ Abdul Kalam.
In 1998, Sahgal was awarded the Padma Vibhushan by the then President KR Narayanan.
Sahgal's daughter, Subhashini Ali is a prominent member of the Communist Party of India (Marxist) and is the President of the All India Democratic Women's Association.

Bharathiraja ropes in Mallu actress


Veteran filmmaker Bharathiraja has introduced many heroines to Tamil cinema.

The list includes Radhika, Radha, Ranjini, Revathy, Priya Mani among others. The latest addition to the list is newcomerSubiksha

For his Annakodiyum Kodiveeranum, which is progressing at a brisk pace in Theni and its adjoining areas, Bharathirajawill be introducing a Malluwood girl as the second heroine of his film and she has already begun work. 

Says Subiksha, 'This is my debut in Tamil.

Apart from Annakodiyum Kodiveeranum, I am also doing a  Malayalam movie calledFriendship, a Malayalam film directed and a produced by Khader Hassan.' 

Subiksha is a Bharathnatyam dancer. The movie has Ko fame Karthika plays the main heroine. Music is by G V Prakash. 

Pasumpon Muthuramalinga Thevar Songs

Sandow and superstars


“Had Aradhana flopped, would you have asked me to reduce my salary? You gave me my full payment even before we started, and showed your faith in me. I will do the film for what I committed to, Devar ji.” This was Rajesh Khanna’s reply to ‘Sandow’ M.M.A. Chinnappa Devar, recalled R. Thyagarajan, the producer’s son-in-law. The film Haathi Mere Saathi was planned in 1969 as Devar, who was making a few small-budget films without his usual ‘superstar’ MGR, wanted to make a big film. MGR was busy with his political activity and could not give him dates. Director Sridhar, Devar’s neighbour and close friend suggested that Devar make a Hindi film.
Devar had earlier made Deiva Cheyal in which the protagonist was a middle aged man, who was helped by an elephant. This was reworked — the hero was young, and the first-half was full of romance and action while the second-half had a fair share of sentiment. Devar went to Bombay and narrated the script to Sanjeev Kumar. Since the actor thought he would not be suitable for the first-half, he suggested the name of a rising star — Rajesh Khanna. Upon hearing the script, Rajesh, who was shooting for Aradhana agreed and recommended two young boys to assist Devar in the script — Salim-Javed. Aradhana was a super hit, and Rajesh Khanna’s salary had quadrupled, which prompted Devar to go back to Bombay and ask him if he wanted more money.
A big hit
Devar had booked Shankar Jaikishan to compose the music for Haathi Mere Saathi. Director Sridhar advised him to approach duo Laxmikanth-Pyarelal as he felt they were more suited to Devar’s quick style of functioning. When he approached them, they’d said they were busy. During the meeting, Devar found out it was Lakshmikanth’s child’s first birthday. He purchased gold coins and went to the party uninvited. No one knew who the dhoti-clad simple man was when he showered the child with the coins. Apparently, Laxmikanth’s wife asked the composer: “How can you refuse to compose music for a man who showers our child with gold?” Well, the duo’s ‘Chal Chal Chal Mere Haathi’ for the film became a big hit.
The film's shooting commenced in Vauhini Studios in early 1970, and the outdoor portion was shot in Ooty. The film was directed by M.A. Thirumugam, Devar’s younger brother, a competent director and editor (he edited the 1954 Sivaji classic Manohara). The film was released in 26 theatres in Delhi and its suburbs. The competition was Maryada featuring Raaj Kumar and Rajesh Khanna. The results of the first few days were not encouraging, and Devar was disappointed. Rajesh Khanna rang him up and told him not to lose hope, and to come to Delhi. By the time the group from Madras reached Delhi, the film had become a box-office hit. Rajesh Khanna and director-producer Shakti Samantha formed the company Sakthi Raj films and released the film in Bombay where too the film was a top grosser.
Marudur Marudachalamurthy Ayyavoo Chinnappa Devar was born on the June 28, 1915. His father was an agriculturist. Devar began to work after Class V. To join the film industry, he mastered various martial arts and improved his physique. He and his brother first acted in the 1940 film Thilottama. It was a fight sequence where only their shadows were filmed. Devar earned the title ‘Sandow’ because of his physique and fighting skills.
He had started playing small roles in films shot in Coimbatore, and in 1947 while acting in the film Rajakumari, a deep friendship is said to have developed between him and MGR. MGR too apparently recommended Devar in the films he worked. This went on till 1956 when Devar started his own production company Devar Films, and asked MGR to be the hero. MGR agreed, and they made Thaikkupin Thaaram. The film was a success, and launched Devar as a filmmaker. When MGR became busy with his own production Nadodi Mannan, Devar was forced to make a few other movies.
In 1960, he started to record the music for Thaai Sollai Thattadhe and cast Ashokan as the hero. When the recording was over, MGR heard the songs and wanted the story to be narrated. Apparently, after this there was a promise between them that MGR will adhere to all of Devar’s conditions and, in return, Devar would make films only with him and no other ‘big’ hero. This ‘agreement’ led to Devar making 16 films with MGR, the last being Nalla Neram in 1972, the Tamil remake of Haathi Mere Saathi.
If Devar shot to fame in the Tamil industry because of one superstar — MGR, he shot to national fame because of another — Rajesh Khanna!

Sunday, July 22, 2012

Karunas likes to act as hero in five more films


  • Actor Karunas, typecast as comedian, has freed himself of this tag and acted as hero in Thindukal Sarathi and Ambasamudram Ambani. Ragalapuram, Chandamama and Machan have him in the lead.

    Briefing mediapersons about 'Machan', Karunas said his desire was to act as hero in five more films. Notwithstanding his desire, he would not be averse to accepting comedy roles. Even though he would appear in a single scene, he would think of how best he could make the viewers laugh. He cited the film 'Yaaradi Nee Mohini' and said he came in a cameo and still his comedy was talked about. He wanted to do all types of characters and stand out

    'Machan' features Karunas and Sheryl Brindo as husband and wife. Giving them support are Vivek, Ramesh Arvind, Kovai Sarla and Mayilsamy. Director Shakthi Chidambaram is doing a small role for the first time. K. Balamurugan and Mani produce it for R.K. Studios.

    The story is about friendship. Karunas' character is named 'All-in-All Azhaguraja'. Shakthi Chidambaram plays 'Lollu Pandi'.

    Karunas approached Vivek and told him he should do an important character for which he was best suited. That Vivek immediately accepted the role showed he is a man of dignity, Karunas said. 

SJ Suriya Celebrates Birthday @ Isai Sets

Tamil Actor Senthil Returns In Mollywood With 'Wonderfull'

Saturday, July 21, 2012

Captain Lakshmi Sahgal put on ventilator

Captain Lakshmi Sahgal, undergoing treatment at a hospital following a cardiac arrest, was put on ventilator after her condition deteriorated further on Friday afternoon. 

The 97-year-old revolutionary of the Independence movement is also popularly known as a commander of Subhash Chandra Bose's Azad Hind Fauj or Indian National Army. She is a Padma Vibhushan awardee, besides a presidential candidate and a compassionate medical doctor. CaptainLakshmi Sahgal was admitted to the ICU ofKMC Hospital on Thursday morning after she had suffered a cardiac arrest at her residence in Civil Lines area of the city. 

Dr Santosh Kumar, who is closely monitoring her condition, told TOI that she was improving and responding well to medication till Thursday. But her condition suddenly started deteriorating since Friday morning. The blood pressure and oxygen level dipped alarmingly. Her low blood pressure continued to be a cause of worry. "We had put her on a ventilation support to push up her blood pressure," Dr Kumar said. 

"There is no sign of improvement in Captain Sahgal's condition and it is deteriorating. We can say that she has slipped into a deep consciousness stage. Every moment is crucial now. All will depend on how she responds to treatment," Dr Kumar added. 

Lakshmi Sahgal's daughter Subhashini Ali said that a team of doctors is constantly monitoring her mother's condition. "Doctors say that my mother's condition had deteriorated and now she is very critical. She has been put on a ventilator following low oxygen level and blood pressure," Subhashini said. 

Captain Lakshmi Sahgal's grandson and a noted filmmaker Shaad Ali, CPM general secretaryPrakash Karat and CPM politburo member Brinda Karat have arrived in the city on Thursday evening to inquire about her health. 

In her early days, Lakshmi participated actively in nationalist programmes of burning of foreign goods, including her own clothes and toys and picketing of liquor vends. 

Narrating her mother's contribution in the Independence struggle, Subhashini Ali said: "Things started moving very fast with the arrival of Subhash Chandra Bose in Singapore on July 2, l943. Almost in all his public meetings, Netaji spoke of his determination to raise a women's regiment, Rani of Jhansi regiment, which would also fight for Independence and make it complete. On the 5th of July, he spoke to a few League members and inquired whether there was any Indian woman in Singapore who would be suitable for the task of leading such a regiment. League members suggested my mother's (Lakshmi's) name. Netaji insisted on knowing more about her. A meeting was held the same night. As soon as he put forth his proposal, she accepted it without hesitation and later started preparations for the formation of the Rani of Jhansi Regiment of the Azad Hind Fauj or Indian National Army." 

In a very short time, a well-trained fighting force of women came into existence. On October 21, l943, when the provisional government of Azad Hind was announced, Lakshmi was the sole woman member of its cabinet. 

The `Rani of Jhansi Regiment' was on active duty on the front. Lakshmi was given the rank ofColonel, although she remained popular as 'Captain Lakshmi' both militarily and on the medical front. She played a heroic role not only in the fighting but during the days when INA personnel were hunted by the victorious British troops and saved many lives because of her courage and devotion. She was finally captured and brought to India on March 4, l946 where she received a rousing welcome. The British authorities realised that keeping her as a prisoner would be counter-productive and she was released. 

After her release, Captain Lakshmi campaigned tirelessly for the freedom. She travelled the length and breadth of the country and was able to collect huge funds for the INA soldiers and also mobilise people against the Britishers. 

In March 1947, Lakshmi married Prem Kumar Sahgal in Lahore. Sahgal was the son of JusticeAchhru Ram Sahgal, a member of the Punjab High Court bench. After marriage, they settled in Kanpur. 

In the Industrial city, Lakshmi plunged into her medical work immediately because the influx of refugees started even before August l947. She worked hard for them for several years. Later, she established a small maternity home in a hired premises where it continues till today. Her dedication for serving poor and needy is legendary in the city, Subhashini added. 

Sivaji Ganesan's Karnan goes global

Sivaji Ganesan's magnum opus Karnan, which was re-released recently in more than 50 screens across Tamil Nadu, has completed 100 days recently. And now the film is all set to hit screens globally. The latest is that the 1964 epic will release in Malaysia, Singapore, US and Canada on July 27.

Karnan is one of  greatest mythological heroes from Mahabaratha. The film based on the mythical character of Karnan was one of the grandest and most expensive films of its times. The film has been enhanced now with a digitally mastered images and sound. The star cast includes Muthuraman, late Andhra CM NTR, Savitiri, Asokan, Devika and Rajamma. The film was directed and produced by B. Ramakrishnaiah Panthulu.

Seeman hands over Rs 10,000 to family of deceased fisherman

Cinema director and Nam Tamizhar party leader Seeman today handed over Rs 10,000 to the family of the fisherman killed in the firing incident by the U.S. Navy off Dubai on July 18. Speaking after handing over the amount, he welcomed the Rs five lakh solatium granted by the government to the family and alleged that the Centre was 'indifferent' to the problems of Tamils all over the world. He demanded that the Centre take steps to bring back the body of the fisherman and also arrange for treating the other injured fishermen and bring them here.

Thursday, July 19, 2012

Essay on Indian nationalist army


Subash Bose and the INA:
1. During the course of the Second World War, armed revolutionary activities continued to take place. The role of Subash Chandra Bose towards such activities is incomparable.
2. Indian Nationalist Army or the Azad Hind Fauz was founded by Capt. Mohan Singh with the help of Japanese in 1942 in Singapore.
3. In December 1941 the Japanese defeated the British at Malaya and Captain Mohan Singh together with Indian officers/soldiers capitulated to them.
Indians residing in Southeast Asia were much inspired at the victory of Japan at the initial stage of the war.
A number of associations were formed aiming at the independence of India. Pritam Singh (a leader of such an organization) and Major Fujihara, a Japanese officer, requested Mohan Singh to form an Indian Army comprising the captured Indian soldiers.
4. Mohan Singh hesitated but ultimately agreed. Fujihara handed over about 40,000 Indian soldiers, who had surrendered to him, to Mohan Singh. It was actually the first step towards the formation of the INA.
5. Singapore fell to the Japanese on 15 Februaryl942. Advancing further north they attacked Burma (Myanmar) and captured Rangoon (Yangoon) on 7 March 1942.
6. The famous revolutionary Ras Behari Bose was residing in Japan during this time. He arranged a meeting of the leading Indians residing in Tokyo on 28 March 1942 and there it was decided that an Association of Free Indians’ would be formed and a National Indian Army constituted under the command of Indian officers.
7. A conference was held at Bangkok on 15 June with this end in view. The conference continued up to 24 June and 35 proposals were adopted.
8. It was agreed that Subash Chandra Bose would be invited to Southeast Asia. The Bangkok conference approved the army already formed by Mohan Singh. A five member working committee was formed and Ras Behari Bose was made its president. The formation of the INA was formally declared.
9. Subash Bose who silently left Calcutta on 17 January 1941 and arrived in Germany, formed an India government in exile, in Berlin and extended support to Germany.
10. He began to broadcast his aims and objectives over Radio Berlin and made contact with Japan. This aroused tremendous enthusiasm in India. Indians in Germany gave him the title of ‘Netaji’ and the slogan of ‘Jai-Hind’ was initiated here during this time.
11. Subash left for Japan in a German submarine and arrived in Tokyo on 13 June 1943.
12. Hideki Tojo, the Japanese Prime Minister (1941-44), accorded him a cordial reception on his arrival.
13. The Prime Minister declared in their parliament that Japan would advance all sorts of help to India in its fight for independence.
14. A huge crowd gathered at Singapore to receive Subash when he arrived there on 2 July 1943.
15. On 4 July Ras Behari Bose resigned and Subhas became the president of the Indian Independence Movement in East Asia.
16. He formally took the leadership of INA on 25 August and dedicated himself in bringing discipline within its rank and file.
17. On 21 October 1943 Subhas, declared the formation of the Provisional Government of Azad Hind and on the 23rd declared war on Britain and America.
18. The INA was being organized in such a way so that they could also take part in the invasion of India together with the soldiers of Japan.
But Terauchi, the Japanese commander, gave objection to the plan on three grounds. He considered that the Indians (as war-prisoners) were demoralized, they were not painstaking like the Japanese and they were mainly mercenary soldiers.
So he opined that the Japanese would take part in the invasion and the INA would stay in Singapore. Subash could not accede to the proposal.
19. Ultimately, after much discussion, it was decided that only a regiment of the Indian soldiers would take part in the fight with the Japanese as a detached unit.
If they could prove themselves equal to the Japanese, more Indians would be permitted to march to the border.
20. A new brigade named Subash Brigade was formed with select soldiers from the erstwhile Gandhi, Azad and Nehru Brigades. The women’S wing of the army was named after Rani Laxshmibai.
21. The INA Headquarters was shifted to Rangoon in January 1944 and sensation was created with the war cry ‘Dilli Chalo’ (March on Delhi).
22. He gave the country the slogan of Jai Hind.
23. The Subash Brigade reached Rangoon towards the beginning of January 1944. In the mean time it was decided that the Indian detachment would not be smaller than a battalion, its commander would be an Indian, the war would continue under Joint plan of Action and Indians would fight as a separate unit on selected spots.
It was also decided that battles would occur at the Kaladan valley of Arakan and Kalam and Haka centre of China hills to the east of Lusai hills.
24. The Subash Brigade was divided into three battalions. The first contingent advanced across both the banks of Kaladan and captured Paletoa and Doletmai.
It captured Maudak, a British border out-post at a distance of 64 km from Doletmai a few days after.
It was very difficult to get supply of arms and ammunitions and foodstuff, so the Japanese wanted to fall back, but the Indians refused.
So only one company was left behind under the command of Surajmal and the rest went back.
The Japanese commander also left behind a platoon of his contingents under the disposal of Surajmal.
25. In the mean time the other two detachments of the Subash Brigade took the responsibility of Haka-Kalan borderline.
26. At the fall of Imphal at Manipur it was decided that INA would take position at Kohima, so that it could enter Bengal across the Brahmaputra. Gandhi and Azad Brigades also advanced towards Imphal.
27. On the 21 March the Japanese PM declared that the Indian territories freed from the British would be brought under the administration of a provisional independent government formed under Netaji.
28. In spite of various hazards and want of food and war materials the INA advanced up to 241 km inside India.
29. A few days after the declaration of the Japanese PM the Americans and the British reinforced their power in the Pacific and took steps to invade Japan.
At such a critical juncture the Japan forces had to give up the plan of invading India. Consequently the INA also had to retreat and was forced to surrender when the allied powers recaptured Burma.
Achievements:
Though the INA failed in achieving its objective it did require great significance in national movements.
1. It internationalized the question of Indian independence and thus speeded up the process.
2. It proved that the Indian soldier was not only a mercenary but patriot too and hence the British could no longer depend on him for subjugation of his country.
3. It also suggested that the non-violent methods of the Congress did not exhaust the armory of the struggle for freedom.
4. Its organization set a beautiful example of communal harmony and commandership.
INA agitation Why was it landmark?
1. The high pitch or intensity at which the campaign for the release of INA prisoners was conducted was unprecedented.
2. It had wide geographical reach and the participation of diverse social groups and political parties was immense. This had two aspects.
i. Nature of the agitation was extensive
ii. Spread of pro INA sentiment to social groups hitherto outside the nationalist pale.
3. Significant section of government employees’ loyalist section and even men of the armed forces submerged in the tide of Pro INA sentiment.
4. The response of armed forces was extremely sympathetic
The INA Trial Agitation/Reaction:
A new phase of India’s freedom struggle started after the end of the Second World War (1945).
The heroism and determination of the Indians had already been revealed by the QIM and the INA.
Now with the release of the national leaders India was geared up for the final struggle which centered on the protests of the Court Martial of INA soldiers and officers (Red Fort Trail 5 Nov. 1945) charged of breach of loyalty to the British crown.
Persistent demands were made by the entire political leadership of the country for the release of the INA officials, viz., Shah Nawaz, Gurudial Singh Dillion, Prem Sehgal and Rashid Ali, now hailed as national heroes.
The Congress infact set up an INA Defence Committee (consisting of Bhula Bhai Desai, T.B. Sapru, K.N. Katju, Nehru and Asaf Ali) to defend their national heroes and organized an INA Relief and Enquiry Committee, which provided small sums of money and food to the men on their release and secured jobs for them.
British Govt, now being in no position to ignore Indian opinion felt it expedient to set them free even though they were held guilty of brutality or active complicity.
Significance:
The INA agitation was landmark on many counts.
i. there was unprecedented campaign for the release of INA prisoners-.priority to press coverage, publicity through Pamphlets, posters,
ii. Threats of revenge and public meetings observing INA day 12th Nov. and INA week (5 to 11 Nov. 1945).
iii. wide geographical spread (reaching even to such distant places as Coorg, Baluchistan and Assam) and participation of diverse social groups and political parties hitherto outside the nationalist place (the Muslim league, the CPD, the unionist party, the Akalies, the justice, party, the Ahrars in Raval Pindi, the RSS, the Hindu Mahasabha and the Sikh league all supporting the INA cause in varying degree).
Significant section of Govt, employees, loyalist sections and even men of the armed forces were submerged in the tide of pro-INA sentiment.
Three Upsurges:
The growing nationalist sentiment that climaxed around the INA trials developed into three upsurges in Calcutta and Bombay, in Nov’45 and Feb’46.
These upsurges marked a violent confrontation with the authorities (this was in contrast to the peaceful demonstration of nationalist solidarity of the earlier period).
The upsurges followed fairly similar patterns. In initial stage the students (at Calcutta) and the | ratings (at Bombay) challenged the authority and was repressed.
In second stage people in the city joined in, resulting in a virulent anti-British mood and the virtual paralysis of Calcutta and Bombay.
In the third and last stage people in other parts of the country expressed sympathy and solidarity.
1. In Calcutta lakhs of people demonstrated in Nov.45 to demand the release of INA prisons. For three days, the government machinery was paralyzed.
2. Again in Feb’46 there was a mass demonstration in Calcutta to demand the release of INA official Rashid Ali.’
3. Then on 18 Feb’46 the ratings of the Royal Indian Navy (RIN) went on strike in Bombay. The ratings were probably inspired by the example of INA and disgruntled over a number of grievances like flagrant racial arrogance, inplatable food.
The RIN revolt was the most significant of all. On 22 Feb. Bombay observed a complete hartal and general strike, in factories and offices in sympathy with the RIN revolt.
The ratings had fought a 7hour battle with Army and the Navy and surrendered only when asked to do so by the national leaders (VallabbRai Patel, Jinnah) on 23 Feb. Over 228 civilians died in Bombay while 1046 were injured.
In RIN revolt, Karachi was a major centre second only to Bombay. Sympathetic token strikes also took place in other military establishments like Madras, Calcutta, Delhi, Jamnagar, the Andaman, Bahrein and Aden. Royal Indian Air Force men also went on sympathetic strikes at many places.
Significance
i. The upsurges gave expression to the militancy in the popular mind. It showed that the Indian people were no longer in a mood to tolerate the humiliation of foreign rule.
ii. The RIN revolt in particular had a symbolic significance. Its dramatic impact can be gauged by the liberating effect’ it produced on the popular con scrounges.
The revolt in the armed forces was seen as an event which marked the end of ” British Rule’ almost as finally as the Independence Day.
Limitations
These upsurges which took the form of an extreme, direct and violent conflict with the authority did have certain limitations.
Only militant sections of society could participate. The liberals, conservatives and men and women of small town and villages could not participate (as was the case in the INA cause and the mass movement of earlier decades :)
i. They were short lived. The Calcutta on 11-13 Feb’46 was relatively quite during the RIN revolt of a week later.
ii. They had urban concentration (Calcutta, Bombay, Karachi etc.): This was in contrast to the general INA Agitation which reached the remotest villages and made the suppression an easy task.
iii. The manifestation of the communal unity in these upsurges was more organizational unity than the unity of the people. Moreover, the organization came together only for specific agitation.
Calcutta during Rashid Ali’s trial was to witness a communal frenzy only 6 months later.
The RIN revolt also showed limited communal unity with the national leaders addressing their coreligionists to suspend their agitation.
Response of the Political Parties:
These upsurges are believed to have been led by the communist, the socialists or Foard Blockiest or all of them together and the relationship between them and the Congress is seen as one of op opposition or at best dissociation.
The role of Congress is seen as one of defusing the revolutionary situation, prompted by its fear that the situation would go out of its control or by the concern that disciplined armed forces were vital in the free India and the party would rule soon.
These upsurges, however, in a way, were an extension of the earlier nationalist activity of the Congress.
It was the strong anti-imperialist sentiment fostered by the Congress through its electioneering, its solidarity with INA cause and its exposing the excesses of 1942 that found expression in these upsurges.
The Congress however did not give the call for these upsurges nor did any other political organization do so.
People rallied spontaneously in sympathy with students and ratings to voice their anger at the repression that was let loose.
Although the Congress lauded the spirit of the people and condemned the repression by the Government, it did not officially support these struggles as it felt that their tactics and timing were wrong.
It was evident to the Congress leaders that the Govt, was able and determined to repress. It was in the fitness of thing that Vallabbhai Patel asked the ratings to surrender and so id communists in Calcutta together with Congress men, by asking the people to return to their homes.
Such a gesture on the part of Congress, infact reflected the fact that negotiation and settlement w an integral pa o t e Congress struggle a possibility which had to be exhausted before a mass movement was to be launched.
In 1946, exploring the option of negotiation before launching a movement was seen to be crucial since the British were likely to leave India soon.
At the same time pressure had to kept up on the British to reach a settlement and to this end preparedness for a movement (built steadily through 1945 by refurnishing the organization, electioneering and spearheading the INA agitation) was sought to be maintained.
Reaction of Gandhi :
To Gandhiji it was a matter of great relief that the ‘ ratings in Bombay listened to Sardar Patel’s advice to surrender.
His objection was to the action of mutineers ‘ without a call from a prepared revolutionary party.
In, his eyes ‘Swaraj was not to be obtained by the happenings of Bombay, Calcutta and Karachi for a real union at Barricade’ there had to be union also at the constitutional front.
Response from the authority:
Here a note of caution is well placed with regard to the response of these upsurges, esp. the RIN revolt evoked from the colonial authority.
One popular perception that the RIN revolt shook the mighty British Empire to its foundation is not grounded in reality. These upsurges in fact, demonstrated that despite
Launching of the non co-operation movement:
When the British refused to meet any of the demands of the Congress and the Party Conference was held at Allahabad in June 1920 and a programme of boycott of Government schools, colleges and law courts was approved.
The Congress met in a special session in September 1920 at Calcutta and agreed to start the Non considerable erosion of the morale of the bureaucracy and the resolve of the armed forces by this time the British machinery for repression was intact
Further, the contention that the Cabinet Mission was send under the impact of the RIN revolt (18th Feb. 46) is likewise also not tenable.
The decision, to send it, had in fact been taken on 22nd Jan’46 itself and even its announcement was started a week earlier.